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NAD DVD Players are renowned for superb performance and great value. Unlike the no name players sold as loss leaders by discount stores, NAD achieves picture quality that is impressive even on large format TVs and projectors where every minute imperfection is magnified. Whether your TV is analog or digital the T535 is equipped to make the most of your TVs performance offering both Component Video and HDMI outputs. If the picture is impressive, the sound quality can easily embarrass machines costing 3 and 4 times the T535s highly affordable price. Sonic performance on all audio formats easily rivals established performance leaders. Whether you are listening to CD or DVD-A, or even MP3 and WMA files, bass is full and taught, mids and highs are detailed and smooth, and the stereo image shows depth and scale. Over 30 years of audio engineering excellence is both obvious and reassuring. T535 DVD/CD Player Features Plays DVD-Video, DVD+-R DVD+-RW, VCD 1.0, VCD 2.0, J-PEG, DivX SACD Plays CD DVD-Audio,SACD
Dolby Digital/PCM/DTS digital out MP-3 and WMA decoders integrated (song titles displayed on video output) Coaxial and Optical digital outputs Auto switch from PCM to Bit stream Audiophile quality 24 bit 192kHz DACs 12 bit 216mhz analog video dac Progressive scan with pixel-by-pixel processing for reduced processing artifacts |
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The NAD T747 is heir to many generations of award winning NAD designs. This exceptional pedigree is evident in both the look and the feel of the T747, and it is unmistakable the moment you listen. Based on the highly successful T744 the T747 boasts detail improvements in virtually every area of the receiver, for a cumulative effect that is fully deserving of the new model number. Starting with a revised internal layout and connectors, selected DACs and other key components further reduces noise and distortion. Finally, we have converted to lead-free solder and components for a cleaner environment. T747 A/V Receiver Features: 7 x 60W Minimum Continuous Power into 4 / 8 ohms, all channels driven simultaneously Power Drive amplifier technology Dolby Digital, Dolby Digital EX, DTS ES (Matrix and Discrete), DTS NEO:6 (Cinema and Music), Matrix 7.1, ProLogic IIx (Movies and Music), EARS and Stereo Enhanced Surround, DolbyTrueHD, DTS HDLossless decoding 5 A/V Custom Presets store unique speaker level and tone control settings Direct speaker level adjustment for all channels NAD POWER DRIVE 6 Audio Inputs, 4 analog video inputs, 4 HDMI Audyssey set-up and calibration. 4 Digital Inputs, 2 Coaxial, 2 TOS Link freely
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2 Digital Outputs, 1 Coaxial, 1 TOS Link 7.1 Analogue Input (for DVD Audio) Speaker A + B switching (Speakers B stereo only) Zone 2 audio pre-out with independent source and volume ZR 5 second Zone remote included with discrete codes for independent zone IR input 2 x IR outputs 2 x 12V output triggers, 1 x 12V input Preamp Outputs for all 7.1 channels (2 Subwoofers) RDS FM/AM Tuner with 30 direct access presets AVR 3 Remote Control
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WE HAVE ADDED ADDITIONAL LINES TO OUR STORE FOR MORE VALUE: BRYSTON,MUSIC HALL,CREEK,EPOS,WADIA,and much more!
There has seemingly been a movement away from the joyful and spiritual deep listening characteristics of the last century. The pressures of everyday life are becoming
more demanding I know and many are forced to do their listening in public places. Compounding this problem there's been a movement in the recording industry to pound
the reality out of music by sanitizing and compressing it to death. The irony is we've never had more dynamic range capability yet the industry seems to want to remove it. Presumably
to make it more listener friendly when it has to compete with other noise. LOUDER is not better!
There are good recordings out there still being made-if we don't support them-they will go away.
if MUSIC IS THE LANGUAGE THAT SPEAKS TO YOUR SOUL than how effective the hardware is in that interpretation should also be part of the discussion.
It's not about elitism or any ism it's about interpreting what is in that recording and doing it as "accurately" as possible keeping in mind the biases of the listener and the equipment designer.
And we all have them. Learning what they are and translating that into systems that satisfy the listener is a skill not easily found. It's more important to find someone with those skills
than just opening your wallet and playing equipment roulette year by year.
Every industry has it's high end, it's where the exploration is done, and it's been the proving ground for many of advances in affordable audio.
Treating this part of the industry as the black sheep where performance takes the place of revenue as the most important factor shows a high degree of ignorance
by the same people pumping out mediocrity.